Blonde Redhead
Blonde Redhead


Listen to “Silently” by Blonde Redhead [download]

Blonde Redhead, one of my favorite bands, just released the marvelous 23 last month to mixed reviews. While many have rightfully lauded the album, other misguided souls have criticized it for being too lush, too baroque and too multi-layered. I revel in such overindulgence.

I was introduced to the band in 2004 when their last album, Misery is a Butterfly, came out. I was immediately taken by the ethereal voices of Kazu Makino and Amedo Pace, and the sad, brilliant melodies that made up the deceivingly simple songs. My friend Matt had picked it up on the night of its release, and we listened to it together in an SUV while we drove down desolate country roads on the way to a remote, unseen cemetery. That eerie excursion may have been the best introduction to an album that haunted me for the rest of the summer.

Under its spell, I submerged myself in the similarly dreamlike literature of Haruki Murakami, and isolated in my room, imagining what it might have been like for Kazu after she was trampled by a horse in 2002. She fell off while riding the animal, became trapped underneath it as she fell, and had her jaw shattered by its hoof. What kind of thoughts go through your mind while you’re a singer in a hospital bed, waiting to see if you’ll ever be able to move your jaw again?


I found the music on that record so beautiful that I know each note is carved in a distant corner of my brain. Their earlier albums are each great works of art, as well, each of them coming from a different place– but Misery is a Butterfly is the pinnacle of their career. 23 moves away from that quiet, meditative place and into a more active wold of harsh spring sunlight. We’re brought down a path of increasingly complex meditative thought, and it’s both unsettling and beautiful.


Pictures I took of the band at the LA Weekly Detour Festival last fall.

Music | posted on May 15, 2007 at 5:42 pm
  • Melody of Certain Damaged Lemons is the first album of theirs I heard early on in high school, and that one is still my favorite. I really do like a lot of Butterfly, but somehow I cant get past that first record that narrated so many experiences back then and there.

    I do agree partly with the negative reviews about the new release, but I have always been somewhat of a minimalist in terms of music. That negative side, though, tends towards not giving it enough credit, which I think it does deserve. I’m just not a fan of over-instrumentation which, for me, this new one rides the edge of for its entirety.

    I got four hours of sleep last night… so sorry if my grammar and what not is looking a bit mixed up. Dislexia kicks in under insomniac habits…


  • why are those men so sexy? i said goddamn.