| Bewitch |
I’m curating an outdoor video screening that will occur this Friday, May 29th from 6-10 pm. It’s called BEWITCH and it’s a 20 minute loop of video art pieces from from Ben Aqua, New Jedi Order, Mike Kitchell, and Tommy Blackburn. BEWITCH is part of a bigger group show, called BLOCK PARTY, that will take place at three different houses in Highland Park.
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Charles Irvin’s paintings and videos are simultaneously disturbing and juvenile, uprooting traditional approaches to themes of abuse, hysteria, sexuality and power dynamics. Currently displaying work at the Hammer Museum as part of “Nine Lives,” an exhibit showcasing work from nine Los Angeles artists, Irvin is one of the least-known artists in the show (“He’s more of an artist’s artist,” noted a bored, Ugg-booted tour guide), but his work is certainly the most fascinating. Surrounded by awesomely grotesque paintings of lynching victims ejaculating into anthropomorphized flowers’ thirsty mouths and loving odes to E.T., the centerpiece of Irvin’s work at the Hammer is an amazing 30-minute video piece entitled Membrane Lane. Deconstructing the sinister False Memory Syndrome Foundation– an organization devoted to discrediting the victims of child abuse– Membrane Lane shouldn’t be fun and entertaining, but it is. While he establishes thematic links from the revisionist ethos of his subject matter to larger trends in government and the media, Irvin soliloquies between a barrage of found footage, sitting by a fake campfire accompanied by a distraught kitten encapsulated in an egg. The effect is unsettling and persuasive, conjuring both the fourth-wall-breaking “edutainment” style of Bill Nye The Science Guy and the wide-eyed self-assuredness of a conspiracy theorist. Check out Furbee Luv below, a “critique of consumer culture”-cum-furbee abuse porn from 2000, and don’t miss Irvin’s Babyscapes, a rumination on “childhood anxieties that shape adult behavior” fleshed out by evil elves and singing skeletons. |
Ninja Warrior is an incredible, impossible Japanese game show that requires its participants to run a series of increasingly difficult obstacle courses that would obliterate most Olympians, to say nothing of the average man. Anyone can try out to become a Ninja Warrior, but very few make it past the first stage. Some years, no one even makes it to the final stage of the competition, and they end the season without any winners. Don’t you wish they would do that on American Idol? This weekend in Santa Monica, the channel that runs Ninja Warrior stateside, G4, organized a mini-Ninja Warrior obstacle course by the beach (well, at the parking lot next to the beach). My friend Michelle trained for ten whole days, and tried her hand at the course. As for the results, well… check out the pictures from “Ninjafest 4″ after the jump. |
Michael Lucid and Amanda Barrett’s internet sketch comedy thingy is called Pretty Thingsss and it’s a barrel of laughs! These two recent clips are “street poems” comprised of random, spontaneously captured footage of daily life in Hollywood, supplanted with the free-associating madness of Michael’s voice over. So good. |
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My friends Paul and Daniel helped curate a rad art show that just opened at the Bandit Gallery in Echo Park. They Came What They Beheld features work from a variety of L.A. artists operating in a variety of mediums, from sculpture to video art, photography, petroforms, and everything in between. However divergent the mediums and methods, the feel of these pieces is mysteriously aligned, hinting at ideas of space, domesticity, and connection within Los Angeles.
The show is up through March 14th at the Bandit Gallery, located at 1549 Sunset Blvd. (right next to Echo Park Ave). Check out some pictures I took at the gallery after the jump! |
I went on an adventure with Jesse Spears the other day, starting in the Fashion District, and ending at a photo studio in Highland Park. Somewhere in between, we crossed paths with Vietnamese food, the spectre of Axl Rose, karmic battery acid, dinosaur-print fabrics, and the street cobbler of Echo Park. Here are some pictures from that day. Be sure to check out the latest entries on Jesse’s new blog, Blooper, for her awesome pictures of the same day! |
I’m not a huge fan of musical theater, but I was lucky enough to catch Spring Awakening at the Ahmanson last night, thanks to my poker buddy Michael, who works for the Center Theatre Group. I was peripherally aware of the play’s existence, through all that Tony-winner buzz it’s gotten over the last two years (and the weak, credibility-leeching story arc centered around it on “90210″), but I went into it last night without any expectations and came out feeling like I couldn’t wait to see it again. Mixing the antiquated aesthetic of its source material (Frank Wedekind’s 1891 play of the same name, which was frequently banned in both Germany and America for its no holds barred look at youth) with folk-tinged alternative rock numbers, Spring Awakening updates the original play’s themes of sexual discovery, anti-establishment frustrations, child abuse, and the crushing guilt of religion for contemporary audiences. The result is an intimate and universally identifiable depiction of the battlefield that is puberty. Much more convincingly than Sofia Coppola’s similarly anachronistic Marie Antoinette, the play flattens its mix of stylings from the past and the present into a seamless continuum of heightened teenage angst that feels universal.
Hideaki Anno’s classic anime series “Neon Genesis Evangelion,” which deals with similar themes (albeit, in an entirely different context) is what first came to mind as an accurate point of comparison for Spring Awakening. On the surface, they share little in common: “Evangelion” is an epic sci-fi soap opera about a timid junior high student who’s chosen to pilot an enormous fighting machine. Along the way, he copes with a callous, domineering father, his terrifying sexual compulsions, and the internal pressures of adolescence. Giant robot battles and dazzling Broadway choreography aside, both “Evangelion” and Spring Awakening go where few contemporary tales of teen life go, addressing heavy philosophical issues, sexual confusion, and alienation from societal mores– all under the pretext of a pop culture spectacle.
And what a spectacle it is! It’s not all angst-filled contemplation, or else it would be no fun– it’s an overwhelming series of brilliant performances, both musically and dramatically. I strongly encourage any Los Angelenos reading this to make a trip downtown to the Ahmanson Theatre for the touring production of Spring Awakening before it leaves L.A. on December 7th. Also, the Broadway version will have its final show on January 18th, so if you’re in the Big Apple this winter, check out Spring Awakening before it becomes just another misguided adaptation by Chris Columbus. |
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Inspired by 20 years of the highly reputable MIX NYC festival, Rudy Bleu, Kent Martin and Irinia Contreras have taken it upon themselves to establish MIX LA, a festival of queer experimental short film. The festival itself will be taking place next spring, but the group is throwing a warm-up event next Saturday: the MIX LA Summer Picnic!
Come on out and have a picnic with your video art-loving pals– it’s free! And there’s an epic dance performance, and a sex toy fashion show. What more could you ask for?
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Imagine an expertly animated film about outer space (or a subterranean lair, or the inside of a human body) where live performers come out, interact in choreographed precision with the projected image, sing opera, and then do a disco dance on the moon with their own clones. And then suddenly the screen opens up and the performers disappear into another world, where projected light is liberated from a standard rectangular screen and matches up perfectly with an array of glowing crystals. That’s pretty much what Cloud Eye Control is, but it’s a million times radder than I can possibly describe. A trio of Los Angeles-based artists comprised of former physics student/director-animator Miwa Matreyek, master projectionist/digital media artist Chi-wang Yang, and actress-musician Anna Oxygen (who also happened to curate Conversations That Never Happened), Cloud Eye Control explain themselves thusly:
Thanks to my friend Patrick, I happened to catch their performance at the REDCAT last night and was completely blown away. The manner in which they meld performance and video art is so complex, fascinating, and most of all entertaining, I’m pretty sure my mouth was locked in a permanent smile for the duration of their display. I really hope they perform again soon, because I can’t wait watch it all again– but if you’re not busy tonight, I implore you to make a trip to the REDCAT at 8:30 for their final performance at the NOW Festival. Just make sure you’re prepared to lose your shit.
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There’s a photo of my boyfriend chucking a handful of cumquat toward the camera hanging on an art gallery wall in Chinatown, but you only have one day left to see it in person before it disappears! I know– it’s kinda short notice– but we only just got around to checking out the show ourselves earlier today, hence the untimeliness of this posting. It’s part of a photo project called Conversations That Never Happened, from the genius mind of punk legend Tamala Poljak (co-curated by the amazing Anna Oxygen). 200 portraits of Tamala’s friends and close relations make up the show, and they’re each pictured in the act of eating various foods against the uniform backdrop of Tamala’s navy blue kitchen wall. Shot over a span of two years, the images were unveiled for the first time at the Telic Arts Exchange on June 28th, arranged in a giant grid, like the biggest “MySpace Top Friends” ever. After a series of amazing-sounding dinner theater events that took place over the past three weeks, tomorrow night (July 19th) will mark the closing reception of the show, in the form of a “secret picnic café.”
Make sure to check it out before it disappears! Take a peek at a few shots of the show after the jump. |
In Echo Park, there’s a store that simply sells supplies for the everyday time traveler. From medieval weaponry to robot milk (for nursing baby robots, perhaps?) and dinosaur eggs for your Jurassic jaunts, the Echo Park Time Travel Mart has got you covered– whenever you’re going. But wait, that’s not all! It also doubles as a free youth tutoring center run by 826LA, the So-Cal branch of McSweeney’s editor/literary superstar Dave Eggers‘ national network of non-profit programs dedicated to teaching students creative writing skills. I’ve been meaning to check out the Time Travel Mart since it opened this spring, so I finally got around to stopping by last night for the opening reception of a new installation in the storefront window. Los Angeles-based artist Amy Martin created a series of five posters that use a vintage travel agency aesthetic to advertise fabulous destinations throughout history and into the future.
The posters look fantastic up close– they remind me of something Scott Hansen would post on his highly refined design blog, ISO50. Currently on sale for just $20 at 826LA’s online store or at the center itself (1714 W. Sunset Blvd), all profits go towards “helping students 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write,” says Christina Galante, the store’s retail and events manager. After the jump, check out the stuff on sale at the Time Travel Mart, and take a closer look at Amy Martin’s (time) travel posters. continue reading |


























