Bewitch

I’m curating an outdoor video screening that will occur this Friday, May 29th from 6-10 pm. It’s called BEWITCH and it’s a 20 minute loop of video art pieces from from Ben Aqua, New Jedi Order, Mike Kitchell, and Tommy Blackburn. BEWITCH is part of a bigger group show, called BLOCK PARTY, that will take place at three different houses in Highland Park.

BLOCK PARTY is a one night tour of apartment exhibitions in Highland Park. The tour consists of three exhibitions hosted by curators Kiki Johnson from Artist Curated Projects, Kate Hillseth from Young Art, and Daniel Ingroff and Paul Pescador. The apartments are in close proximity and guests may tour the three venues during the evening in the fashion of a block party.

Bewitch

Block Party map

Block Party info

3 comments | Art, Life, Los Angeles | posted on May 25, 2009 at 9:08 pm
Charles Irvin
charlesirvin

Charles Irvin’s paintings and videos are simultaneously disturbing and juvenile, uprooting traditional approaches to themes of abuse, hysteria, sexuality and power dynamics. Currently displaying work at the Hammer Museum as part of “Nine Lives,” an exhibit showcasing work from nine Los Angeles artists, Irvin is one of the least-known artists in the show (”He’s more of an artist’s artist,” noted a bored, Ugg-booted tour guide), but his work is certainly the most fascinating. Surrounded by awesomely grotesque paintings of lynching victims ejaculating into anthropomorphized flowers’ thirsty mouths and loving odes to E.T., the centerpiece of Irvin’s work at the Hammer is an amazing 30-minute video piece entitled Membrane Lane.

Deconstructing the sinister False Memory Syndrome Foundation– an organization devoted to discrediting the victims of child abuse– Membrane Lane shouldn’t be fun and entertaining, but it is. While he establishes thematic links from the revisionist ethos of his subject matter to larger trends in government and the media, Irvin soliloquies between a barrage of found footage, sitting by a fake campfire accompanied by a distraught kitten encapsulated in an egg. The effect is unsettling and persuasive, conjuring both the fourth-wall-breaking “edutainment” style of Bill Nye The Science Guy and the wide-eyed self-assuredness of a conspiracy theorist.

Check out Furbee Luv below, a “critique of consumer culture”-cum-furbee abuse porn from 2000, and don’t miss Irvin’s Babyscapes, a rumination on “childhood anxieties that shape adult behavior” fleshed out by evil elves and singing skeletons.

post a comment | Art, Los Angeles | posted on May 13, 2009 at 7:38 pm
Ninja Warrior: A Classy Photo Essay in Black & White

Ninja Warrior is an incredible, impossible Japanese game show that requires its participants to run a series of increasingly difficult obstacle courses that would obliterate most Olympians, to say nothing of the average man. Anyone can try out to become a Ninja Warrior, but very few make it past the first stage. Some years, no one even makes it to the final stage of the competition, and they end the season without any winners. Don’t you wish they would do that on American Idol?

This weekend in Santa Monica, the channel that runs Ninja Warrior stateside, G4, organized a mini-Ninja Warrior obstacle course by the beach (well, at the parking lot next to the beach). My friend Michelle trained for ten whole days, and tried her hand at the course. As for the results, well… check out the pictures from “Ninjafest 4″ after the jump.

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4 comments | Life, Los Angeles, Photo | posted on April 6, 2009 at 7:30 am
Pretty Thingsss’ Street Poems

Michael Lucid and Amanda Barrett’s internet sketch comedy thingy is called Pretty Thingsss and it’s a barrel of laughs! These two recent clips are “street poems” comprised of random, spontaneously captured footage of daily life in Hollywood, supplanted with the free-associating madness of Michael’s voice over. So good.

1 comment | Los Angeles, Video | posted on April 5, 2009 at 10:30 pm
Hollywood Sidewalk, March 2009
Hollywood Sidwalk

Hollywood Sidewalk (2)

2 comments | Los Angeles, Photo | posted on March 28, 2009 at 4:54 pm
They Became What They Beheld

My friends Paul and Daniel helped curate a rad art show that just opened at the Bandit Gallery in Echo Park. They Came What They Beheld features work from a variety of L.A. artists operating in a variety of mediums, from sculpture to video art, photography, petroforms, and everything in between. However divergent the mediums and methods, the feel of these pieces is mysteriously aligned, hinting at ideas of space, domesticity, and connection within Los Angeles.

They Became What They Beheld is organized by Daniel Ingroff, Paul Pescador and Katherine Metz and includes the work of Jamie Chan, Mariah Csepanyi, Daniel Ingroff, Renee Martin, Peggy Pabustan, Paul Pescador, Carlos Reyes, Lyla Rose and Katie Ryan.

The work of these artists, while operating in radically different aesthetics, all seek to capture fantastic moments in subjects that occupy our everyday lives and experiences. The show’s title is a quote from a William Blake poem, as interpreted by Marshall McLuhan. McLuhan writes about how media and technology become integrated into our lives, and how people tend to imitate the things they create. As a group of artists working in Los Angeles in 2009, spaces such as the studio, the street, and the home are creations to be imitated.

The show is up through March 14th at the Bandit Gallery, located at 1549 Sunset Blvd. (right next to Echo Park Ave). Check out some pictures I took at the gallery after the jump!

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post a comment | Art, Los Angeles, Photo | posted on March 1, 2009 at 9:14 am
Fashion Photography

I went on an adventure with Jesse Spears the other day, starting in the Fashion District, and ending at a photo studio in Highland Park. Somewhere in between, we crossed paths with Vietnamese food, the spectre of Axl Rose, karmic battery acid, dinosaur-print fabrics, and the street cobbler of Echo Park. Here are some pictures from that day. Be sure to check out the latest entries on Jesse’s new blog, Blooper, for her awesome pictures of the same day!

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post a comment | Life, Los Angeles, Photo | posted on November 27, 2008 at 2:16 pm
Spring Awakening at The Ahmanson

I’m not a huge fan of musical theater, but I was lucky enough to catch Spring Awakening at the Ahmanson last night, thanks to my poker buddy Michael, who works for the Center Theatre Group. I was peripherally aware of the play’s existence, through all that Tony-winner buzz it’s gotten over the last two years (and the weak, credibility-leeching story arc centered around it on “90210″), but I went into it last night without any expectations and came out feeling like I couldn’t wait to see it again.

Mixing the antiquated aesthetic of its source material (Frank Wedekind’s 1891 play of the same name, which was frequently banned in both Germany and America for its no holds barred look at youth) with folk-tinged alternative rock numbers, Spring Awakening updates the original play’s themes of sexual discovery, anti-establishment frustrations, child abuse, and the crushing guilt of religion for contemporary audiences. The result is an intimate and universally identifiable depiction of the battlefield that is puberty. Much more convincingly than Sofia Coppola’s similarly anachronistic Marie Antoinette, the play flattens its mix of stylings from the past and the present into a seamless continuum of heightened teenage angst that feels universal.

Hideaki Anno’s classic anime series “Neon Genesis Evangelion,” which deals with similar themes (albeit, in an entirely different context) is what first came to mind as an accurate point of comparison for Spring Awakening. On the surface, they share little in common: “Evangelion” is an epic sci-fi soap opera about a timid junior high student who’s chosen to pilot an enormous fighting machine. Along the way, he copes with a callous, domineering father, his terrifying sexual compulsions, and the internal pressures of adolescence. Giant robot battles and dazzling Broadway choreography aside, both “Evangelion” and Spring Awakening go where few contemporary tales of teen life go, addressing heavy philosophical issues, sexual confusion, and alienation from societal mores– all under the pretext of a pop culture spectacle.

And what a spectacle it is! It’s not all angst-filled contemplation, or else it would be no fun– it’s an overwhelming series of brilliant performances, both musically and dramatically. I strongly encourage any Los Angelenos reading this to make a trip downtown to the Ahmanson Theatre for the touring production of Spring Awakening before it leaves L.A. on December 7th. Also, the Broadway version will have its final show on January 18th, so if you’re in the Big Apple this winter, check out Spring Awakening before it becomes just another misguided adaptation by Chris Columbus.

post a comment | Los Angeles | posted on October 31, 2008 at 3:47 pm
Richard Simmons is Simply Rad

Up until yesterday, I thought Richard Simmons was just another novelty TV personality who’d quietly disappeared into the hazy mist of the VHS era, relocated to the realm of plastic cases on dusty thrift store shelves until an electromagnetic pulse from some angst-ridden military superpower comes along and destroys once and for all the treasure troves of America’s outmoded, nostalgic media daydreams– erasing the history of a recently expired empire that only exists in the wilting format of magnetic tape. But I had it all wrong!

I’m turning 21 on Thursday, so as part of a series of elaborate surprises, my boyfriend, Rudy, told me to put on some comfortable shorts and we headed west to an undisclosed location. With our friends Tyler and Andrew in tow, we soon arrived in Beverly Hills, 90210, at a nondescript workout studio tucked away just around the corner from The Troubadour. It wasn’t until I received an information form to fill out from the spandex-wrapped former blonde bombshell at the front desk that I realized we had arrived at Slimmons, the private studio Richard Simmons has been running for more than three decades. We waited in the lobby for our workout to begin as a class called “Project Me” (described online as “a dynamic group discussion class that focuses on motivation”) wrapped up. Without warning, the doors flipped open, Abba started blaring, and in a flurry of motion, everyone in the lobby was rushing, spinning, or dancing into the studio.

Joined by our friend Michelle, the five of us tried to keep up with the class as we mirrored Simmons’ wild moves, which Tyler hypothesized were less planned routine and more Simmons’ arbitrary whims– but they were fun whims, to be sure. Roaming throughout the crowd, Simmons sardonically sported spittle on his lips, allowing saliva to dribble down his chin as he pantomimically called us out on our lack of adequate pizazz, implying we were nothing more than nursing home zombies lacking the true energy of a Slimmons devotee. For some in the crowd, this may have been true: the majority of our classmates were retired midwestern housewives, in town for one of Simmons’ bi-annual retreats (a weekend of exercise with Richard which includes a nighttime disco dance!)– but all of them were trying their hardest, and everyone was excited to be there. One of the midwestern ladies became convinced that Michelle, who’s Asian, and who bears no resemblance to any talk show hosts living or dead, was actually Ricki Lake. “You were in Hairspray, weren’t you? Ricki?” Soon, Simmons arranged the class in a big circle and pulled Rudy into the middle of it, for a one-on-one dance-off/miming session.

Michelle was next, as she handed off her cat eye glasses to Simmons, who gladly transformed into a bespectacled head-swayer for their special moment. As the class continued, we aerobicized to Cher, Ritchie Valens (which prompted Simmons to yell angrily in Spanish about the virtues of nutrition and exercise), Justin Timberlake, and a techno remix of the “Golden Girls” theme song — all DJed seamlessly by Simmons on vinyl! “I’m a whore for pizza!” Simmons declared, and told us about how he’d remove cheese from slices of pizza and leave it looking like the craterous face of an acne-riddled teenage girl. He was full of so much insane and amazing energy it was a challenge to keep up with the 60-year-old legend, as he alternated between dance moves and sassy (and surprisingly lewd) quips that recalled Joan Rivers at her best. “This is the best position to get in if you want diamonds,” he told us as we were on our knees, getting ready for push-ups. “You should see the vault full of diamonds I have at home just from this one position!”

Eventually, Simmons singled out our group of east side interlopers, asking us where we were from and what we had for breakfast. “Reese’s Pieces,” said Tyler, which led Simmons into a shocked outburst. “You’re too skinny to be here!” he cried as the class laughed along. “You look like a pioneer boy with that beard,” he told me, “You’re from Portland, right?” Later, he said Rudy looked like a serial killer and asked if he’d been in any prison movies. We weren’t alone in our ribbing– another young couple received a lengthy lecture from Simmons after he discovered they’d been dating nine years with no ring to show for it. “Cobwebs! You need to ask her already!” Simmons’ humor mostly comes from pretending to be a saucy, domineering bitch, but in reality he’s sensationally sentimental, and his class is more therapy than aerobics. His focus is on raising self-esteem and convincing his students to love themselves and treat their bodies well, and support others… and it’s all glazed over with disco and diamonds and sequins.


Richard Simmons gives some loving to Michelle (not Ricki Lake)!

After finding out that our group had come to celebrate my birthday, he had the whole class sing me “Happy Birthday” as the class wrapped up, and he arranged us for the amazing picture at the top of this post. “Well… that was a mindfuck,” said Tyler as we stumbled out of the studio. Many of our classmates wished me a happy birthday on our way out and one sweet woman said she wished it were possible to clone Simmons so people could enjoy him all over the world. Me too. Me too.

9 comments | Life, Los Angeles | posted on October 19, 2008 at 5:35 pm
Missed Connections: My Saturday Night
2 comments | Life, Los Angeles | posted on October 9, 2008 at 12:08 am
MIX LA Summer Picnic

Inspired by 20 years of the highly reputable MIX NYC festival, Rudy Bleu, Kent Martin and Irinia Contreras have taken it upon themselves to establish MIX LA, a festival of queer experimental short film. The festival itself will be taking place next spring, but the group is throwing a warm-up event next Saturday: the MIX LA Summer Picnic!

Hosted by queer hip hop artist Deadlee and local artist Xochitl Brown, the schedule includes performances by artists Ian MacKinnon, The MOVEMENT movement, Cucci and select recent films by Erica Cho, Matt Johnstone, Sean M. Johnson, EMR, Chris Vargas, Patrick Stephenson, Paula Cronin, and Julia Snapper.

Come on out and have a picnic with your video art-loving pals– it’s free! And there’s an epic dance performance, and a sex toy fashion show. What more could you ask for?

A still from Sean M. Johnson’s “Boyhood Play” video series, and Mecca from The MOVEMENT movement

4 comments | Art, Los Angeles, Night Life | posted on August 7, 2008 at 9:21 pm
Cloud Eye Control

Imagine an expertly animated film about outer space (or a subterranean lair, or the inside of a human body) where live performers come out, interact in choreographed precision with the projected image, sing opera, and then do a disco dance on the moon with their own clones. And then suddenly the screen opens up and the performers disappear into another world, where projected light is liberated from a standard rectangular screen and matches up perfectly with an array of glowing crystals. That’s pretty much what Cloud Eye Control is, but it’s a million times radder than I can possibly describe.

A trio of Los Angeles-based artists comprised of former physics student/director-animator Miwa Matreyek, master projectionist/digital media artist Chi-wang Yang, and actress-musician Anna Oxygen (who also happened to curate Conversations That Never Happened), Cloud Eye Control explain themselves thusly:

Whether through a re-imagining of Charles Lindbergh’s trans-Atlantic flight, the discovery of powerful crystals underground, or one woman’s interstellar search for a new home, a common theme in our stories is human adaptation in a technological world. To realize these stories, we project pre-rendered animation and live camera imagery onto various surfaces on the stage, and this imagery functions as scenery and virtual actor. Both high and low tech methods are used to allow the live actor to interact with the media. These methods range from custom-built interactive video software to the physical manipulation of video puppets.

Thanks to my friend Patrick, I happened to catch their performance at the REDCAT last night and was completely blown away. The manner in which they meld performance and video art is so complex, fascinating, and most of all entertaining, I’m pretty sure my mouth was locked in a permanent smile for the duration of their display.

I really hope they perform again soon, because I can’t wait watch it all again– but if you’re not busy tonight, I implore you to make a trip to the REDCAT at 8:30 for their final performance at the NOW Festival. Just make sure you’re prepared to lose your shit.

1 comment | Art, Los Angeles | posted on July 19, 2008 at 1:42 pm
Pixelated Nostalgia

Jesse Spears, whose job title runs something like “Draw-er of boxy cars, boobs, and sassy ladies/Vice-President of Development: Semi-Sarcastic Sentiment Division,” joined me and my fellow former child star/Mean magazine editor Mya Stark in “Little Osaka” (Sawtelle Blvd., between Olympic and Santa Monica) the other night for a delicious dinner at the Giant Robot restaurant, GR Eats. I’ve had a few different things there, and I think my favorite is the shrimp curry. Also, the veggie meatballs are like nothing else on Earth. Not to mention the mixed fries that have yams and dried banana slices in them (and I usually hate bananas!)– but I digress– I’m getting off track here.

After dinner we were wandering around Sawtelle, searching for a stationary store, when I looked up and noticed a big glowing sign on the second floor of a nondescript Japanese-style shopping center. “Pixel Memory Studio,” it read, and I couldn’t help hoping it was some sort of stealth marketing campaign/alternate reality game tie-in for a new Michel Gondry film. Actually, it was something almost as good: a Purikura shop.

But Pixel Memory Studio goes beyond the simple simulacrum of Purikura’s visual diabetes by offering a variety of Japanese video games and flashy accessories for girls to decorate themselves with: tiny dogs and shoes dangling from necklaces, lip plumper, snap-on eyelashes, cell phone charms, and creepy-snazzy artificial fingernails. Mya ended up going home with a pricey pair of bejeweled nails on her hands, with plastic bows portruding from their slick acrylic surfaces. “I’m gonna go for an evil queen look,” she gloated, before panicking at the loss of her motor skills. “Use your knuckles,” Jesse reccomended.

2 comments | Life, Los Angeles, Technology | posted on July 19, 2008 at 12:48 pm
Conversations That Never Happened

There’s a photo of my boyfriend chucking a handful of cumquat toward the camera hanging on an art gallery wall in Chinatown, but you only have one day left to see it in person before it disappears! I know– it’s kinda short notice– but we only just got around to checking out the show ourselves earlier today, hence the untimeliness of this posting. It’s part of a photo project called Conversations That Never Happened, from the genius mind of punk legend Tamala Poljak (co-curated by the amazing Anna Oxygen).

200 portraits of Tamala’s friends and close relations make up the show, and they’re each pictured in the act of eating various foods against the uniform backdrop of Tamala’s navy blue kitchen wall. Shot over a span of two years, the images were unveiled for the first time at the Telic Arts Exchange on June 28th, arranged in a giant grid, like the biggest “MySpace Top Friends” ever. After a series of amazing-sounding dinner theater events that took place over the past three weeks, tomorrow night (July 19th) will mark the closing reception of the show, in the form of a “secret picnic café.”

Modeled after cafes in the Pacific Northwest D.I.Y. communities and historically referencing prohibition speakeasies, the café will use word of mouth to draw participants to a donation based picnic café, set up in and outside of TELIC. Paloma Parfrey will be recreating traditional picnic foods while Katie Byron reinvents what a picnic means through an installation. Performances begin @ 6pm.

Make sure to check it out before it disappears! Take a peek at a few shots of the show after the jump.

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2 comments | Art, Los Angeles | posted on July 18, 2008 at 11:43 pm
The Echo Park Time Travel Mart

In Echo Park, there’s a store that simply sells supplies for the everyday time traveler. From medieval weaponry to robot milk (for nursing baby robots, perhaps?) and dinosaur eggs for your Jurassic jaunts, the Echo Park Time Travel Mart has got you covered– whenever you’re going.

But wait, that’s not all! It also doubles as a free youth tutoring center run by 826LA, the So-Cal branch of McSweeney’s editor/literary superstar Dave Eggers‘ national network of non-profit programs dedicated to teaching students creative writing skills. I’ve been meaning to check out the Time Travel Mart since it opened this spring, so I finally got around to stopping by last night for the opening reception of a new installation in the storefront window. Los Angeles-based artist Amy Martin created a series of five posters that use a vintage travel agency aesthetic to advertise fabulous destinations throughout history and into the future.

The posters look fantastic up close– they remind me of something Scott Hansen would post on his highly refined design blog, ISO50. Currently on sale for just $20 at 826LA’s online store or at the center itself (1714 W. Sunset Blvd), all profits go towards “helping students 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write,” says Christina Galante, the store’s retail and events manager.

After the jump, check out the stuff on sale at the Time Travel Mart, and take a closer look at Amy Martin’s (time) travel posters.

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3 comments | Art, Los Angeles, Photo | posted on July 18, 2008 at 5:15 pm