My Burgeoning Career as a Cartoon Fly Girl

So, that happened. My animated self kinda looks like Seth Green in Can’t Hardly Wait, right?

7 comments | Life, Video, Work | posted on September 7, 2009 at 4:39 pm
Ryan Trecartin’s New Work

Ryan Trecartin’s videos are seriously breathtaking. My friend Mya put it well when she said, “He’s successfully simulated the feeling of what it’s like to watch reality TV.” Terrifying and hilarious. I wrote a post about it over here so I’ll refrain from launching into any further hyperbole. Just watch.

Above: K-CoreaINC.K (section a).
Below: Sibling Topics (section a).

3 comments | Art, Video | posted on August 7, 2009 at 8:44 am
Set Adrift on Memory Bliss

1 comment | Music, Video | posted on July 30, 2009 at 5:04 pm
The Lana Show
lanashow

Lana Kim is an executive at the elite force of filmmaking masterminds known as The Directors Bureau, an agency that represents music video/commercial directors like Geoff McFetridge and Patrick Daughters. As if that weren’t cool enough, Kim moonlights as the host of The Lana Show, a web series in which she “interviews” (read: ensnares in a trap of entertainingly awkward, stunted banter) rad musicians like Blonde Redhead, No Age, and Sebastian Tellier in cramped storage closets and hotel room beds. In between the awesomely uncomfortable bits of unplanned conversation, each artist provides a personal playlist of their favorite music videos. You never know what to expect on The Lana Show — she even shot a recent episode with Saint Vincent in puppet form. And don’t miss her picnic table chitchat with Will Oldham, which includes an extensive discussion of Lana’s high school pooping habits.

If you happen to be in the L.A. area this week, check this out: Lana and her band will be putting on some sort of crazy avant-garde performance (which also involves my friend Michelle!) at the Redcat Thursday, Friday, and Saturday nights as a part of the annual NOW Festival. According to REDCAT:

The performance art inspired punk collective of Lauren Fisher, Stephanie Hutin, Lana Kim and Marissa Mayer portrays unpredictable artmaker-songwriters whose band, Jennifer The Leopard, aims to fuse feminism and cock-rock into a new genre of post-punk under the guise of an “all-girl band.” The band, popularly known as J-Lep, stages a multimedia event featuring songs about celebrity sightings and knife fights while it pits an on-stage “audience” against the real one in a show that is part bitchin’ rock concert and part post-studio pep rally.

post a comment | The Internet, Video | posted on July 30, 2009 at 4:33 pm
Vashti Bunyan
vashti

The Silent Movie Theatre is hosting a series called “F is For Folk” on Thursdays this month, and last night was Vashti Bunyan night. An exceprt of The Family Jams was shown along with the amazingly beautiful new feature length documentary Vashti Bunyan: From Here To Before, which traces the legendary horse-and-buggy journey traveled by Vashti and her compatriots in 1968. Last night’s screening also included the 2-minute theatrical premiere of Same But Different, a short film I shot at a Mean photo shoot with Vashti. And now, for the cyberspace premiere! Enjoy:

7 comments | Music, Video | posted on June 12, 2009 at 3:53 pm
Pretty Thingsss’ Street Poems

Michael Lucid and Amanda Barrett’s internet sketch comedy thingy is called Pretty Thingsss and it’s a barrel of laughs! These two recent clips are “street poems” comprised of random, spontaneously captured footage of daily life in Hollywood, supplanted with the free-associating madness of Michael’s voice over. So good.

1 comment | Los Angeles, Video | posted on April 5, 2009 at 10:30 pm
Eugene: a Video by Mirror Mirror

Mirror Mirror’s debut album, The Society for the Advancement of Inflammatory Consciousness was one of my favorite records of 2008. Their new video for the track “Eugene” has already claimed its place as my favorite of 2009. Spaced-out gradients, sinister clowns, shirtless boys skateboarding through virtual territories, pizza, and 3D trees: what more can you ask for out of a music video? It’s even radder that this piece of cinematic brilliance was directed by the band themselves. The visuals here are a natural progression of their aural aesthetic. Long live Mirror Mirror!

via Rudy Bleu

post a comment | Music, Video | posted on February 20, 2009 at 6:58 pm
My Latest Masterpiece

Can you recognize me in this commercial? I’m in it twice. But I got downgraded to an extra for not being identifiable enough. The wacky world of Hollywood!

4 comments | Food, Life, Video, Work | posted on January 23, 2009 at 10:57 am
Charlie White’s OMG BFF LOL

Getting Lindsay Linton, a photo from White’s 2001 body of work, Understanding Joshua.

Charlie White’s work is as consistently terrifying as it is amusing. As a photographer and a filmmaker, he creates worlds of nauseating banality and quotidian artificiality– and then shatters the sense of order with nightmarish bastardizations of the human form, sinister muppets, and hair-raisingly uncomfortable juxtapositions. Even absent of explicitly creepy figures lurking within the frame, White has a keen ability to conjure unease with mere unreadable expressions on the faces of his models.

His latest body of work, called The Girl Studies, focuses on the strangeness of what it means to be a teen girl in America today. The picture below, entitled Teen and Transgender Comparative Study #5 is from a series of portraits that places pubescent girls beside startlingly congruent male-to-female transsexuals. Another series of pictures from The Girl Studies presents pubescent models indifferently replicating poses from tween tabloids like J-14 and Teen Beat, unnerving the viewer by highlighting the sense of uncouth voyeuristic desire that pervades images created by adults for the consumption of young girls.

My favorite part of the The Girl Studies, however, is a series of animated shorts called OMG BFF LOL. Concentrating on a pair of teen girls who love shopping at the mall, OMG BFF LOL is a pastiche of the nauseating consumerist-aspiration crap that monopolizes young girls’ entertainment today, from Bratz to Barbie to Disney Channel cartoons to video games that send girls on shopping sprees. The fact that both teen girl characters are voiced by Charlie White adds another layer of creepy. But aside from all that scariness, OMG BFF LOL is just kind of hilarious. It’s like Daria minus Daria, plus a terrifying, droning sense of capitalist alienation.

Update (1/13/09) I received an e-mail today from Charlie White thanking me for the post and informing me that he did not in fact record the voices for the characters in OMG BFF LOL. “…although there is no overt credit,” writes White, “it is the wonderful work of two very talented actors: Laura Post, and Michelle Ann Dunphy. This little detail is important because these two made OMG BFF LOL come to life.” Sorry for the confusion!

Check out the first installment of OMG BFF LOL, “Mall,” below, and then watch the other two shorts, “Bedroom” and “Bathroom,” along with a thematically related short film White made in 2006 entitled “Pink,” after the jump.


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4 comments | Art, Video | posted on December 29, 2008 at 9:29 pm
Generational Theory

Analyzing an entire generation is about as scientific as astrology. I’m more apt to trust a horoscope than someone who claims to be an expert in generation-ology, like the entirely biased experts in the field, Baby Boomers William Strauss and Neil Howe. I probably have more in common with my fellow Libra-Scorpio cusps than I do with the 70 million Americans born in between 1982 and 2001. The ties that bind a generation are constructed from the various narratives of their time: we’re summed up by the cultural, political and technological trends that surround us, whether we have anything to do with them, or whether they’ve been passed down to us from Baby Boomer marketers and impresarios, Generation X culture-makers and web developers.

There’s a faulty logic in assuming that whatever the Gen Y demographic consumes the most reflects an authentic picture of its generation: most of us have just started to mature to the point where our own work has become culturally relevant, where we are speaking to each other instead of being spoken down to. Furthermore, culture has become fragmented into micro-niches faster than market research can keep up with it. Over the next decade, I hope that Generation Y will start to define itself rather than let itself be defined by biased voices from the generations that have preceded it. The lasting damage of our elders’ bitter accusations of “entitlement!” will not be erased without hard work.

In terms of authorial origin, I can’t claim the video at the top of this post (which I appear in) is a step in the right direction. It’s basically a bullet-point rundown of the points outlined in Gen X writer Eric H. Greenberg’s new book, Generation We– a call to action for our generation to change the world for the better. While it may not come from an authentically Gen Y source, the book and the video have a good message, using our generation’s lack of an identity as a call to arms, asking us to carry on the project of liberalism that has finally arisen from the ashes in the 2008 election. Underneath its melodramatic earth-saving surface, the video manipulates our fragmented lack of cohesion to recruit us for the liberal agenda, which, as a supporter of those ideals, I believe is a good thing– yet, as a believer in the importance of our generation establishing self-sufficiency, I can’t help but feel weird about.

Regardless of its authorial origin or agenda, the effort to stimulate, address, or identify Generation Y as a whole is clearly something that young people are yearning for: the “Generation We” video has already been viewed 1.8 million times in little more than a week over MySpace, YouTube and Vimeo (reading the video’s comments on each of those sites is an interesting study altogether on the disparate demographics who log on to each of those forums). Sometimes I wonder if it will ever be possible for us to effect positive change throughout our next 15 or 20 years in the sun. Will we end up selling out like the Baby Boomers in the 80’s, or just say “Whatever” and enjoy ourselves like the jaded Generation Xers before us? Will technology give us the edge we need to change the system and its seemingly impassible roadblocks, or will it just lead us to solipsistic navel-gazing? Or will the entire system collapse under the shifting forces of the global market before we even have a chance to make our mark?

But most interestingly, whatever happens, will we ever truly take control of our destinies? Will we write our generation’s own story– or will it be written for us by a cynical group of our elders?

8 comments | Video | posted on November 1, 2008 at 5:06 pm
D.B. Cooper: The Movie

This video is a little something I cooked up at the end of the summer with my pal Johnny Rogers of The New Jedi Order collective. Check out my earlier post about D.B. Cooper for more information on the legendary skyjacker.

post a comment | Video | posted on October 31, 2008 at 8:32 pm
Jesse Spears’ Art Class Magic

Words like “heartwarming,” “endearing,” and “inspirational” sometimes make me wanna ralph, but I’m not embarassed to say that those words describe the feelings this video instills within me. From the filmmakers behind the acclaimed documentary Beautiful Losers, this awesome short film about an art workshop Jesse Spears hosted for some local high school kids makes me wanna go out into the world and encourage people to become artists.

Jesse teaches art the way it should be taught, fully embracing the limitless possibilities of creativity with just the right dose of anarchy and indiscriminate positive affirmation. Maybe I’m just a complete hippy, but I do believe in the value of each individual’s uncensored self-expression. I think the goal of art education should be a therapeutic one: to lead the student to a place where they feel completely comfortable with the work that they’re making. As long as you’re genuinely happy with what you’re doing, there are going to be at least a few other people out there who feel the same way about your work, and then you’ve affected some sort of positive change in the world.

4 comments | Art, Video | posted on October 1, 2008 at 11:24 am
Jesse Spears Interviews Global Filmmaker Wendy Morgan

Jesse Spears (pictured on the top right, smelling a buttercup) is one of my favorite artists. In addition to the blog she uses to document her endless creative output (Long Live Cartoon!) she also keeps a personal blog called Carnage Knockout, filled with sublime ephemera: snapshots of plants and pets, 911 calls, bubble wrap, and lists: like, “Things I Don’t Understand,” and “People I Want To Meet.” It was on Carnage Knockout that I first came across Wendy Morgan’s godly music video for the Gnarls Barkley song “Going On.”

Wendy Morgan is a Canadian commercial and music video director who’s made some great ad spots for Ikea, Girls Inc., and MTV Canada that are often bizarre or bemusing and occasionally even tackle the ungraspable nuances of Canadian national identity. Truthfully, Wendy’s MTV commercials are too good for MTV… though, who knows, maybe in topsy-turvy Canada, that sad vestige of a former pop culture powder-keg has managed to retain some semblance of watchability.

Regardless of MTV’s contemporary significance, its legacy lives on in cyberspace as the music video medium continues to thrive on a newly global scale– thanks in no small part to directors like Morgan. She’s crafted unaffected, imaginative videos for bands like The Unicorns and Dragonette– bands which don’t get any significant air time on the highly corporatized cable networks, but are now finding a home on the information superhighway.

I thought it would be fun to interview Wendy Morgan, but even more fun to let Jesse Spears do most of the work, since she loves the “Going On” video so much. Jesse came up with a bunch of questions, and I threw in a couple of my own, and we e-mailed them off to the jet-setting filmmaker, whose blog is replete with images from Jamaica, Barcelona, Italy and France. I’m enormously grateful to Wendy for humoring us by responding to this interview, and to Jesse for conducting it. I’ll pass things over to Ms. Spears for a proper introduction:

1. What was the crew like for the filming of the “Going On” video? Like, how big was the crew, and how long did it take and stuff.?

We shot for two days, prepped for probably five days, the crew was around 20 or so people I think, it felt pretty small in reality. The producer was Jannie McInnes of Revolver Films, the cinematographer was Max Goldman, who makes a ton of great videos, and I think he’s amazing.

2. How did you come up with the story of dancing Jamaican kids finding a portal to an alternate dimension?

Well, the original story that was written was: we do a musical-style approach with singing and dancing that takes place in Africa. But it made more sense to go to Jamaica, and I love dancehall style dancing, but you’ll notice there are no obvious Jamaican references or locations. I wanted it to be a nether world. The song sounded like dancing and celebration to me and lyrically, it talks about going on. I imagined the farthest you can possibly go is another dimension, so we’ll go there.

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3 comments | Interviews, Music, Video | posted on August 11, 2008 at 6:23 pm
Dave White & Alonso Duralde Get Gay Married (at the La Brea Tar Pits)

If such a thing exists, Dave White and Alonso Duralde are at least honorary members of L.A.’s unceremonious gay literati. With a book each under their belts (Dave’s blog-based memoir Exile in Guyville and Alonso’s edifying 101 Must-See Movies for Gay Men) and a steady flow of freelance gigs, this writerly couple of thirteen years has embraced Los Angeles’ reputation for easygoing nonchalance to the fullest, working from their West Hollywood home, typing out classy movie reviews in their underwear.

So it’s no surprise that Dave and Alonso would approach their fifth wedding (jam-packed with more legal recognition than ever– thanks, California Supreme Court!) with the same effortless amusement they do everything else, wearing t-shirts and shorts in a guerrilla-style (read: permit-lacking) 5-minute ceremony at the La Brea Tar Pits. Officiated by their Internet-ordained roommate, Aaron (known to readers of this blog as DJ Jefferson Bearplane), the vows were followed by an excursion to the farmer’s market at The Grove for a round of celebratory donuts.

+ Watch the video in the rapturous beauty of High Definition over at Vimeo!
+ Dave’s article for the LA Weekly about the wedding
+ Margy Rochlin’s write-up for Gourmet magazine

15 comments | Los Angeles, Video | posted on July 8, 2008 at 11:13 am
Princeton

I took the Gold Line up to Pasadena last weekend to catch just-breaking indie pop band Princeton at the Make Music Pasadena festival. Princeton is the saccharine bittersweet endeavor of twin brothers Jesse Kivel and Matt Kivel, who, along with their childhood friend Ben Usen, sing songs about the Bloomsbury Group in a deliriously dreamy orchestral style that recalls John Cale and The Kinks. It’s Edwardian British high culture by way of folksy LA beach pop. The members of Princeton were kind enough to tell us a little about themselves (and their love of donuts) in the video above.

This is the first video I’ve edited in HD, with many more to come! Watch the compressed version above, or click here to watch the video in all of its High Definition glory over at Vimeo.


 
+ Princeton’s website
+ Purchase the Bloomsbury EP for just $3 at Amie Street

2 comments | Interviews, Music, Video | posted on June 25, 2008 at 11:05 am